Posts Tagged ‘Metal’

Aversion : No Blood For Hubris

Posted: November 20, 2010 by Kunal Batra in Bands
Tags: , , , , , , , ,

As mentioned in last post specifically, death metal is a genre which I am very pickey about. But then, these days, metal gods wanna prove me wrong or something, (karma is a bitch, ain’t it) they keep on sending my way some of the FINEST death metal I’ve heard in a long long time. So ladies & djentlemen may I have the pleasure to introduce… AVERSION.

Aversion is a hardcore metal band from El Paso, Texas. Brainchild of frontman Grant Markham, he formed Aversion after the break up of his old band, Corrode. As Corrode consisted of members which were a lot older than Grant, he got to play all over hell, go in bars underage and really live the life. For almost three years, the mayhem continued. But when Corrode decided to disband because of outside issues (pregnant girlfriends, weddings, college and career moves, that sort of things) Grant knew it was time to go off in his own direction and find some musicians who could help him make the music that’s been rolling around in his head since he was a kid. With influences like Testament and Sepultura, he always wanted to pick up their legacy and carry it on into the future.
 
So a couple of years ago, after transferring high schools, he finally found the musicians he was looking for, though two of them recently bailed on in favour of high school life-that turned out to be an unexpected blessing, because they ended up with Dave Cortez on drums, who has been long admired in the El Paso scene, and Todd Hendricks, who relocated from the other side of the state just to be in this band.
 
Aversion try to bring a little bit of everything into their shows: Death Metal, Grindcore, really hard, Haunting ballads, stuff you can mosh to, the works. The next step is to branch out into symphonic metal of the type coming out of Scandinavia right now, really haunting stuff that just grabs you by the throat and won’t let you alone. So far their live shows have been really warmly embraced, though they are more well known and a much bigger part of the scene in Austin than in El Paso, which they belong to. Aversion recently recorded their first tracks. Response to the tracks thus far has been pretty positive, though not that many people have heard them yet outside of friends and family. So, in a way you might be the first ones who are lending their ears to these tunes. (You all be thanking me lately, I know 😉 ) Aversion’s next step, like millions of other hopefuls, is to try and get signed to a label so that they can make our album and then with any luck a tour to support and bring our stuff to headbangers all over the world. And we wish them luck, from bottom of our metal hearts, that they succeed. Because world needs to listen to these guys, they are, just one word, BRILLIANT. So, give these tracks a listen if you want to, but I’m sure if you do so, you won’t be regretting it. They are called AVERSION for a reason. Peace out. \,,/
 

Aversion is:

Grant Markham – Lead Guitar/Vocals
Mike Silva – Guitar
Matt Haney – Guitar
Dave Cortez – Drums
Todd Hendricks – Bass

Check out Aversion here for free. I really recommend listening to In This Sign. This song defines Aversion’s sound for me.

In This Sign

To Avenge This

Grind

I

Lilith

Anguish At The Demons In My Blood

The Gate

Lesson Learned

Among The Ruins

Pretending

Liar In Wait

So as the story goes, death metal and its sub-genres happen to be something I am very pickey about. I don’t really like four-riffs-three-legato-pattern-constant-double-bass-with-nonsensical-growling type of bands. But then, I’d like to thank You Tube that I happen to chance upon Son Of Aurelius. Actually it was the artwork that really caught my eye. And since then, there was no turning back. Son Of Aurelius-The Farthest Reaches happens to be an album that blasts from the very word GO! Also I’d like to remind you here that this album gets madder by-the-second and more dangerous by-the-minute.

The Farthest Reaches, produced by Zack Ohren (All Shall Perish, Suffocation, Decrepit Birth) is the debut album for Son Of Aurelius and contains eleven absolutely devastating tracks whose parameters fall within the extreme metal linked to death in its most furious, but coloured way. The presence of intricate technical arguments is something that gives the recording its own Son Of Aurelius flavour.

The first two tracks Mercy For Today & Let Them Hate And Fear are sure to rip you face off. From vocals to drums to bass to guitars, everything just shines and come together so naturally in these tracks. They wouldn’t be out of place on a Black Dahlia Murder record, which is great in my opinion.

Third track on this record is The Farthest Reaches which happens to be the title track. And is just brilliant. The dual guitar harmony riffs and good drumming pattern set the flow of the song from the first note. Two short neo-clasically influenced solos in the middle and towards the end are an epic win. Then comes along the fourth track, Olympus is Forgotten. Starting off with a gentle synth & clean guitar intro, you just might think that you’ve gotten a respite from the annihilation you were enjoying. BUT NO! It’s like that tip of the iceberg thingy for the whole album. The album along with this song really KICKS-IN after that clean intro. And it shows why this album is completely fucking crazy! Welcome abode, you are in for a treat of pure technical death metal, let your ears orgasm.

Facing The Gorgon is my favourite track off the album. The jazz influenced interlude in the middle shows how much knowledge of musical theory both Chase Fraser & Cary Geare possess. And the utilization of that knowledge is visible in the solo of this track. It’s the one track that defines the SoA sound for me. Next up is Pandora’s Burden, which is total schizophrenic heaven. Anyone into technical death metal will simply be awed by its puzzle-pieced guitars, mind numbing bass and constantly changing drum patterns. Also Josh Miller’s vocals really shine on this one.

With A Champion Reborn, the band tightens its screws even more and you can clearly hear some jaw dropping triplets and ear-splitting growls. Not to mention dual guitar solos thrown in the background, which really creates an awesome effect overall. Clocking 1:38, Mycordial Infercation will make you smash the face of person standing next to you into a wall and eat his brains. WARNING: If this song is playing out live, don’t dare enter the moshpit, u’ll end up dead.

Next up The Calm is literally the calmest song on the record. Just like the warning before a storm, it serves its purpose to the dot. The bass intro on A Good Death will make your balls explode. Complementing riffs and some insane vocals kick in almost immediately and song progresses to be what you’d call INSANE! The last, but not the least, song on the record is The First, The Serpent. The only song clocking over 5 mins, others being rather short. This song is sure to give boners to technical/progressive metal fans and is a PERFECT ending to a near-perfect album. Standing at 36:33 minutes, with your head blown off, I can safely categorize this record to be one of the best tech death records of ’10.

The thing that sets Son Of Aurelius apart from other technical death metal bands, which on my last check were forming at a rate of three-and-a-half per second; is their ability to incorporate their neo-classical influences without overdoing it. I mean you can be that insane motherfucking shredder that can shred like 25581245688534997 notes per second, but if you can’t write a decent song, well sir, NO ONE GIVES A FLYING FUCK! Their lyrical content takes inspiration from Roman mythology and their stuff is like what Egypt is to Nile. For so long, I was searching for a tech-death band that can fill the void on my shelf besides Faceless & Necrophagist, and Son Of Aurelius fits that spot perfectly. A perfect harmonization of fifths, dual guitar solos, useage of diminished and harmonic minors gives this album a taste to savour. Complementing them are insane blast beats, and sickest double bass beats with perfect mind-numbing bass and vocals that can put a banshee to shame. The only more I can expect of Son Of Aurelius is that their next record be meanest motherfuckin shit that can even put this one to shame! \,,/

Son Of Aurelius are:

Max Zigman – Bass
Chase Fraser – Guitar
Josh Miller – Vocals
Spencer Edwards – Drums
Cary Geare – Guitar

Check out Son Of Aurelius here at http://www.myspace.com/sonofaurelius